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Where do you go once you’ve watched the classic Xmas films? Some suggestions.
An impressive collection of nine new releases (seven of which are reviewed here). While some might not displace the classic recordings of Debussy already out there, this gathering offers some welcome and fresh interpretive contrasts.
Our critic’s twelve favorite classical music performances that he reviewed this past year.
While the push for diversity in casting is admirable, it’s not enough to resuscitate a script that feels dated, even regressive in its approach to historical storytelling.
The Barefoot Woman is lyrical but also informative and ethnographic, as much a memoir of a mother as it is of her way of life.
Armenian cultural history has always been about survival: between Armenians preserving their art within the shifting boundaries of their homeland, and carrying their art beyond the country’s borders.
Quite properly, Miles Evans evokes rather than mimics his dad’s arrangements on this excellent disc.
This year’s version – the 48th! – of The Christmas Revels is delightful and refreshing way to bid adieu to a tumultuous 2018.
Dressed in cream-colored pants, a crisp white shirt, sneakers, and big owlish spectacles with red plastic frames, Twyla Tharp played the professor in the first part of the 90-minute show.
Classical Music Commentary: Best Opera and Vocal Recital Recordings, 2018
A list of the most memorable opera and vocal recital recordings of the year.
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