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Concert Review: Soca and Calypso Fans go “Crazy” for Parang

December 17, 2018
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Septuagenarian, Edwin Ayoung, better known as Crazy, easily carried the rest of the night with his exuberant performance.

Coming Attractions: December 16 Through January 1 — What Will Light Your Fire

December 16, 2018
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Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.

Book Review: “In the Galway Silence” — Another Tour of Hell

December 15, 2018
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Jack Taylor’s world is very much our world and his despair is our despair.

Film Review: “Ben is Back” — Raising an Addict

December 15, 2018
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Films like Ben is Back will not foster an understanding of how drug addiction ravages the lives of the poor, the incarcerated, the uneducated, and the less fortunate.

Visual Arts Review: Surrealism — One of America’s Favorite Art “isms”

December 15, 2018
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Despite its serious treatment of surreal art, Monsters & Myths is a real delight.

Film Review: “Roma” — A Soulful Masterpiece

December 14, 2018
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Roma is Alfonso Cuarón’s gorgeous, neorealist ode to his formative years growing up in ’70s Mexico City, and to the housekeeper he took for granted as she carried him through that tumultuous decade.

Stage Remembrance: Words on the Death of Alvin Epstein — “Nothing is Left to Tell”

December 13, 2018
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I speak for the legions who benefitted from your friendship and your great energy and talent.

Book Review: “Playing Changes” — Redefining Jazz

December 13, 2018
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This volume is clearly critic Nate Chinen’s resounding response to the “jazz is dead” chant.

Classical Music Review: Tallis Scholars — Dependable Delight

December 12, 2018
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The Tallis Scholars are unquestionably today’s most renowned exponent of Renaissance sacred music.

Arts Remembrance: Pete Shelley of the Buzzcocks — A Matter of the Heart

December 12, 2018
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Pete Shelley’s elegies for the wilted flowers of romance were shouted over songs that were alternately tuneful and fierce.

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