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Enjoy Boston Camerata’s Free America! for its high spirits and its crafty, delicious way of making the iconoclasm of the past come alive.
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Buñuel in the Labyrinth of the Turtles is nothing if not provocative fodder for a cinematic niche: the animated feature sheds intriguing light on one of the major film directors of the 20th century at a pivotal time in his career. ,/em>
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Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
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Tinariwen’s music exudes determination, the soulful energy of ethnic resilience.
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Christian Tetzlaff’s brilliant account of Beethoven’s Violin Concerto makes for a great album; Rachel Barton Pine’s versions of Dvorák and Khachaturian violin concertos are songful; orchestrally, Mark Elder and the Hallé Orchestra’s Sigfried is unfailingly colorful and fresh.
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Had the curatorial parameters been tighter in concept, and more generous regarding the source of the work, the MFA might have produced a great, rather than just a good, exhibit. .
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Brandeis’ Rose Art Museum presents a creative, insightful look at urban blight.
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To Paradise for Onions is a lovely album; Cincinnati Symphony Orchestra ‘s Transatlantic is spirited; Yannick Nézet-Séguin’s Die Zauberflöte is lost in the crowd.
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Musically, The Bad Pilot encompasses the sound and feel of everything from Philly soul to new wave, hard rock, funk, and progressive rock.
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For many listeners, Zigsaw will serve as a welcome introduction, not only to a virtuoso jazz ensemble led by an innovative leader, but to the music of composer Steve Lampert.
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