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Theater Review: “Admissions” — The Frustrations of the Privileged

November 7, 2019
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Admissions is a successful comedy, but not quite the hot, scathing satire of ‘privileged whiteness’ one might gather from the ads. (Or from some of the local reviews.)

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Arts Commentary: “Counterculture in Boston 1968 – 1980s” — High and Heady Days

November 6, 2019
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About the post-Reagan era, Boston Phoenix and Boston After Dark editor, Arnie Reisman, observes: “Everything went to sleep, and while we were sleeping, the Republican Party grew six more heads.”

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Music Feature: Childsplay — The Last Waltz

November 5, 2019
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Childsplay, the celebrated flash-band of fiddlers who have come together around the holidays for more than 30 years, is calling it quits.

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Arts Fuse Podcast #19: A New Era Begins!

November 5, 2019
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The spanking new Arts Fuse podcast has arrived! Welcome the audio feature’s new master, Deanna Costa.

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Classical CD Review: Hungarian Composer Ernő Dohnányi — Love at First Listen

November 4, 2019
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This is a gem of a recording, a wonderful introduction to this often overlooked Hungarian composer.

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Music Review: New Hip-Hop Singles of October 2019

November 3, 2019
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It has been a busy month for R&B and Rap — with tantalizing singles from Danny Brown, Gang Starr, and Frank Ocean.

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Jazz CD Review: Nat King Cole Hittin’ the Ramp — The Early Years (1936-1943)

November 3, 2019
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To hear Nat King Cole move from an anonymous member of a backing chorus to a world-class vocal soloist is well worth the time this boxed set demands.

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Film Feature: “The Rabbi Goes West” — Not Your Typical Gefilte Fish Out of Water Story

November 3, 2019
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The turf war for the bodies and souls of Montana’s Jews makes for an engaging inter-tribal drama.

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Coming Attractions: November 3 through 17 — What Will Light Your Fire

November 3, 2019
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Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.

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Theater Review: “The Thanksgiving Play” — The Perils of “Wokeness”

November 2, 2019
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When confronted with a seemingly intractable quandary, playwright Larissa FastHorse — and her characters — take the easy way out.

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