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This wonderfully eclectic show is a post-pandemic invitation to forge new connections and open up fresh conversations.
Contra-Tiempo sees the pandemic as an invitation for transformation: the performance questioned who we are, how do we move among each other, and what gives us joy.
The Norwegian soprano’s execution of the vocal line in Luonnotar is nothing short of astounding.
Folk On both exceeded and tempered expectations.
This is state-of-the-art modern jazz with an up-and-coming lead soloist, well-chosen guests, and a dream rhythm section.
A delightful recording — and the first ever! — of arias from Hasse’s and Gluck’s operas about Tigranes and Cleopatra of Pontus. Plus four arias by Vivaldi for that same Cleopatra.
662 will appeal to hard-core blues fans along with those who want more of a hyphenated blues sound, be it blues-rock, blues-funk or blues-pop.
This is a timely novel, a lament for the multicultural harmony that has disappeared from Mesopotamia as well as a dire warning: fundamentalism is on the rise, not just in the Middle East but in the West as well.
The irony is that this effort, surely not the last, of Hollywood reaching out to the “solid” citizens of Trump’s America will only alienate them further.
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