Posts
The orchestra’s summer home is operating at reduced capacity this season, but it’s wonderful to have the BSO and its public reunited.
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This is a lyrical work: gracefully exaggerating reality is a merit that good poetry and fantasy share.
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Host Elizabeth Howard talks with Stephen Reily, Director of the Speed Art Museum in Louisville, Kentucky about the exhibition, “Promise, Witness, Remembrance.”
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On this disc, trumpeter, singer, and composer Sarah Wilson serves up music that is warm, a little funny at times, and very well played in an unassuming manner.
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Zola is an exhilaratingly salacious odyssey through the neon-lit strip clubs, dingy motels, and gaudy underbelly of America’s chaos state, like Showgirls as told by Zora Neale Hurston.
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William Parker, the 69-year-old composer, multi-instrumentalist, author, and all-around presence on the progressive jazz scene churns out challenging music with prolific abandon.
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As the age of COVID-19 wanes, Arts Fuse critics have come up with a guide to film, dance, visual art, theater, and music. Please check with venues about whether the event is available by streaming or is in person. More offerings will be added as they come in.
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The War Is Never Over is a compelling way to appreciate the importance of a music icon, to understand why Lydia Lunch’s work matters.
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Regardless of what the future holds, Derek Trucks said that he and his bandmates are grateful for every opportunity to get back in front of live audiences.
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Visual Arts Commentary: “The Scream,” “Sunflowers,” and the “Mona Lisa” — Gone Baby Gone
Perhaps we need to call on Sherlock Holmes in order to resolve the 31-year old “no end in sight” Gardner heist?
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