Posts
Director Anton Fuqua forgoes his usual action milieu with an unrelentingly tense, highly emotional English language remake of Den skyldige.
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Elizabeth Howard talks to Stephen Petronio, choreographer, dancer, and the artistic director of the Stephen Petronio Company, about what plans forward-thinking artists have for the future.
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Cry Macho is little more than nostalgia for the Old West of Hollywood.
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Some tracks work better than others, but Maya Beiser’s larger effort succeeds in presenting Glass’s music in a more nuanced – and musically complex – light.
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Translator Nandana Dev Sen has opened a window for us to savor Bengali women’s poetry through these lovingly translated poems of her mother.
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A thoughtfully conceived, technically excellent, beautifully recorded, and expressively rich album that celebrates 20th-century piano music by (mostly) American composers.
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Against White Feminism is an informative and thought-provoking read for all feminists.
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Docs at the Toronto International Film Festival ranged from the topical to the historical to the cultural. Here are a few that you should try to see.
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This session should appeal most to those who love the crashing, intemperate sound of a brass big band.
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Theater Commentary: Theater in a Time of Emergency? — The Same Old Same Old
Are Boston’s stage critics disengaged from reality? Or is it that they are afraid to speak up?
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