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Theater Review: “The Merchant of Venice” — Rebooted Marvelously

October 3, 2021
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Audiences who are open to a show that provides both riotous comedy and bracing truths will find plenty to think about in this deconstruction of one of the Bard’s most problematic problem plays.

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Film Review: “No Time to Die” — A Miraculous Bond Redux

October 3, 2021
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No Time to Die could only be a product of the Trump era.

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Book Review: A Mother Lode of Imagery and Information

October 2, 2021
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This eye-opening collection of photo-essays, essays, and interviews offers a kaleidoscopic view of a subject that is too often hidden, treated as a private concern rather than one of vital public interest.

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Classical Album Review: A Treasure Trove of Saxophone Music Lost, Forgotten, and of Our Time

October 1, 2021
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Major works for saxophone in world-premiere recordings featuring virtuoso Paul Cohen and his brilliant colleagues.

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Film Review: “Algren” – (First-rate writer from the Second City)

September 30, 2021
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Once celebrated, but now largely forgotten, novelist and short story writer Nelson Algren deserves the attention given to him in a wide-ranging documentary.

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Dance Review: Magic Afoot

September 30, 2021
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Energizing, joyful, expert, close to sure-fire, Chasing Magic was a great choice to reopen A.R.T. after the long pandemic shutdown.

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Theater Review: “Wild Horses” — Musical Adventures

September 30, 2021
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Wild Horses is a sort of hybrid of familiar coming-of-age stories: Little Women meets Summer of ’42, with a dollop of Stand By Me tossed in for intrigue.

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For the Love of the Cover: Nanci Griffith and Keeping Folk Songs Alive, at Passim

September 30, 2021
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The talent at Club Passim’s Nanci Griffith night represented at least two generations: it was a nice, low-key salute to the singer/songwriter, who played the venue often in the mid-’80s.

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Arts Commentary: It’s OK to Like Board Games, Even the Bad Ones

September 29, 2021
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These cheesy board games were repetitive and horrible and I loved every one of them.

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Concert Preview/Interview: Anne-Sophie Mutter Plays John Williams’s Violin Concerto no. 2

September 29, 2021
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A packed, wide-ranging conversation with violinist Anne-Sophie Mutter that touches on several subjects, from a lifelong love of jazz to her verdict on John Williams’ Violin Concerto no. 2.

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