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Series creator Molly Smith Metzler clearly cares about the subject matter and is determined to tell a nuanced story about the hellish plight of the victims of domestic abuse.
Read MoreLet’s see if Prayers for the Stolen is selected as Mexico’s Academy Award nominee. It’s a long shot, given that this is a film that tells so much of the truth.
Read MoreA hatred of self and others sits, relatively neglected, at the center of Adam Rapp’s script.
Read MoreUnfortunately, it’s becoming increasingly rare for Boston area theater companies to produce shows that are as deeply rooted in our local culture as this one.
Read MoreFor all its skin-tearing brutality, Titane is uncharacteristically tender underneath its heavy metal shell.
Read MoreThis is an all-English album whose strongest moments are mighty and who’s most intriguing piece is a revelation.
Read MoreTold with just the right amount of empathy, Five Years North offers an illuminating, and much needed, look at immigration in America.
Read MoreBy skillfully balancing the historical and the imaginative, The Mirror and the Palette is not only a delight to read, but inspirational.
Read MoreAs the age of COVID-19 wanes (or waxes?), Arts Fuse critics supply a guide to film, dance, visual art, theater, and music. Please check with venues about whether the event is available by streaming or is in person. More offerings will be added as they come in.
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Arts Remembrance: Arnie Reisman — The Party of the First Part
In a way, Arnie was, to Boston, what George S. Kaufman was to the Algonquin Round Table, except the “vicious circle” lasted only ten years while Arnie enlivened his circle of friends for more than sixty.
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