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The Sadness is an especially brutal film about societal collapse and how public health crises like COVID-19 amplify whatever savage impulses lie dormant within us.
This year marks the 150th anniversary of the birth of the Black American poet Paul Laurence Dunbar, and this new biography does a thorough and compelling job in telling the story of a remarkable and partially tragic life.
Northlands lacks the infrastructure, diversity, and history of some of New England’s finest music fests, but its two-day debut provided a rustic oasis for jambands.
The high quality of the material presented thus far justifies Tedeschi Trucks Band’s decision to release these songs in small batches over the course of three months.
Given the pain they endured, it is admirable just how strong many of the Menudo members are.
As the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. Please check with venues when uncertain whether the event is available by streaming or is in person. More offerings will be added as they come in.
Life on Earth aches with the sadness of the human condition, touching on personal trauma and reaching into the malaise of a week of national bad news.
It’s welcome to have a Latino-centered Father of the Bride, but it’s debatable if we really needed one this clumsily put together.
Years from now, I’m sure I will have forgotten nearly everything about Infinite Storm, but this one scene will still stick with me.
The brilliant set was a celebratory exploration of Molly Tuttle’s bluegrass roots, albeit with a fresh perspective.
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