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Here’s this week’s poem, Debra Cash’s “The Boat: April 19, 2013.”
The plot of The Red Balcony ticks along briskly. Jonathan Wilson is a gifted narrator and scene-maker.
A masterful composer of French Baroque violin sonatas displays another side of his immense talent in this first-rate new recording of his Scylla et Glaucus.
We are understandably upset when market forces threaten the things we consider to be sacred.
It’s refreshing to watch a teen series where the characters are not trying to solve a murder, venture into a parallel universe, or become possessed by an evil force.
There could have been more serious attention to the music, more of his immortal rock songs played start to finish. Otherwise, Lisa Cortés’ Little Richard: I Am Everything is the documentary about the Black and Queer rock’n’roll icon we’ve been waiting for.
Local film festivals like BUFF are keeping what’s left of the American film industry from turning into a massive IP holder churning out algorithmically generated slop for the masses.
In honor of Big Ears’ tenth edition, here’s a look at ten of my favorite festival moments.
As the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
The Lost King contains perhaps too many calculated moments of sentimental synchronicity. Still, it manages to soar, thanks to the excellent performance of its lead, Sally Hawkins.
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