Posts
Once again, here was the shock in Cécile McLorin Savant’s subversive conceptual daring.
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The time is overdue for a serious discussion of what is happening (or not happening) in Boston-area theaters. Just don’t expect to see anything in our sheepish mainstream media.
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Taking in the totality of Seiji Ozawa’s life and career, it seems clear that Boston got him in his prime and that he largely returned the favor, ingratiating himself with the community, at times truly elevating the BSO while conveying a lot of joy and energy in the process.
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New cinematic mavericks have come along. All the more reason that the views of earlier rebels be collected and preserved, given the short historical memories of young filmmakers and their audiences.
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Nature has long been a perennial topic for cinema and, given the escalation of the climate crisis, the environmental context of these three fine films feels particularly urgent and poignant.
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Over the years, Lee Gutkind has been one of the most persistent and impassioned voices making the case for the value of creative nonfiction.
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In “BLACK HOLE,” the TRIBE trio moves as if learning for the first time how their skeletons and muscles are constrained and empowered, perplexed and bedazzled, by gravity’s incontrovertible power.
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Our expert critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
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The album suggests an earlier time, but most of the music is modern, relevant, and timeless.
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Arts Commentary: The Declining State of the Art of Arts Journalism
Theater critics, film reviewers, A&E editors, and arts columnists have been stripped from our dailies and weeklies. Why should you care? Oscar Wilde warned that an age without criticism is “an age that possesses no art at all.”
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