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The month’s attractions include movies from directors Darren Aronofsky and Frank Capra—a yin/yang combo if there ever was one, and Marwencol, an intriguing documentary about a man who creates a fantasy world in his backyard. By Justin Marble.
I figure you know where the killer Scrooges are, so this month I look for alternatives to the usual holiday fare. The American Repertory Theater and GAN-e-meed Theatre Project are serving up something different, and SpeakEasy Stage Company says it has found “hip” holiday fare. I have heard that one before, but you never know.…
The Ups and Downs of the biz. At this time of year it’s easy to question your choice of residence in sun-deprived New England. The cold, the wet, and the absence of vitamin D in your skin rattles through to your bones and leaves you asking, can we just skip to June already? You are…
A modern version of the venerable double bill: first, Drácula, a 1931 Spanish-language film accompanied by guitarist Gary Lucas performing his half-improvised original score. Next came the film Spark of Being, a re-imagining of the plot of Frankenstein, co-directed by filmmaker Bill Morrison and trumpeter-composer Dave Douglas, who led his band Keystone in 13 pieces…
BEMF’s Paul O’Dette and Stephen Stubbs have, once again, produced a work of impeccable and imaginative scholarship for a production that’s not only historically informed, but musically, dramatically, and visually entertaining. Dido and Aeneas by Henry Purcell and Nahum Tate. Presented by the Boston Early Music Festival. At New England Conservatory’s Jordan Hall, Boston, MA,…
“Life, you see, is a lonely business . . . When there is a storm, it’s best to turn into the teeth of it. Don’t fly away, allowing an evil wind to come upon you from the stern. That’s our weakest part. We’re rib cage and metal up front. The bow is always best. Head…
In his novel “The Passages of H. M.: A Novel of Herman Melville” author Jay Parini combines extensive research from existing biographies with a concrete evocation of the nineteenth century writer’s world and mind. We ask the writer a few questions about Melville, and whether there would be a market for his books today. By…
December classical music offerings range from a recital by 20-year-old Haochen Zhang, who won last year’s Van Cliburn International Piano Competition, to The MIT Chamber Music Society presentation of a free, two-piano concert, and the Boston Modern Orchestra Project taking on, without charge, an evening of music by three women composers. By Caldwell Titcomb. December…
Call it anarchistic boorishness, an artist chomping on the hand that feeds him. But at least Thomas Bernhard is honest about why he welcomes awards — he wants the money, especially because the amounts, given European largess to its culture-makers, are considerable. My Prizes: An Accounting by Thomas Bernhard. Translated from the German by Carol…
The Parker Quartet’s appearance here in Jordan Hall on November 22 was marked by one surprising feature: there was not a single music stand to be seen on the stage. It turned out that the four musicians played the entire concert from memory. By Caldwell Titcomb Haydn is widely called the Father of the Symphony,…
Classical Music Commentary: Boston’s Lost Opportunity — How the BSO Board Chose Charles Munch over Leonard Bernstein