Posts
Is it country? Is it rock? When it’s good, is there really a difference?
This unique and carefully constructed impressionistic narrative encourages viewers to free-associate, assess, and imagine the romantic relationship through the filter of their own memories and experiences.
Boston Musica Viva presented an invigorating (if early) conclusion to the season, providing an ear-catching snapshot of chamber music written in the last thirty-plus years.
Daniele Gatti’s management of the orchestra – the unfolding of melodic lines and instrumental textures – was particularly noteworthy, matched here with a keen sensitivity to the music’s expressive detail: this was a riveting performance.
It’s not a simple story. It’s a story about dreadful ideas, hideous politics and their interaction with art and aesthetic judgment.
With your help, The Arts Fuse will launch its first-ever advertising campaign atop taxi cabs this spring. We want to encourage Greater Boston’s arts and cultural communities to see the artsfuse.org as an indispensable resource.
This new commercially distributed movie gives writer/director Harmony Korine an opportunity to create a vision of decadence that wallows with cartoon glee in a libidinous pop culture wonderland.
It turns out that it was more than just a rumor that saxophonist Charles Lloyd spent some of the ’70s playing with The Beach Boys.
Are those who merely stand and watch as guilty as those who drop the bombs, pull the triggers, or run the trains? The question is no less relevant today than more than sixty years ago.
The winter doldrums may be upon us, but the first few months of 2013 have been anything but uninteresting when it comes to releases from Harmonia Mundi (HM).
Arts Commentary: The Boston Symphony’s New Humanities Blueprint Makes Sense