Visual Arts
Raida Adon rejects political categories because they fail to capture the utter strangeness of lived experience.
When you go to the Art of Banksy website it is immediately clear that Banksy himself had nothing to do with this traveling show.
Perhaps unintentionally, the show is a moral fable on the nature of true achievement: Milton Avery’s steady progress on his own path stands out in this age of online influences and the rabid pursuit of instant fame and material success.
Strict Beauty: Sol LeWitt Prints is a compelling opportunity for immersion in an important aspect of the artist’s work
“The abuse in the church has very unique and cruel twists to it. And, as one of the oldest continuous patriarchal institutions in the world, looking at the church helps us to reflect upon how many established institutions, including families, help perpetuate and conceal violence throughout society.”
Visual Arts Book Review: “Florine Stettheimer: A Biography” — One of American Art’s Greatest Enigmas
The volume’s overarching goal is to restore Florine Stettheimer to what the biographer sees as her rightful reputation as one of the great American artists of the 20th century.
The cognitive architecture approach espoused by the Human Architecture and Planning Institute is applying a welcome new paradigm that responds in a fresh way to the built environment.
Ashley Bryan was a remarkable artist and legendary figure in Maine and New York who passed away at the beginning of February.
The strength of Robert Freeman’s Black figures, even as they endure humiliation or violence, remains a prominent element in his vision.
Visual Arts Commentary: Two Books and a Play — Creating Architectural Literacy
Given the current state of play, any attempts to enrich our knowledge of the built environment are valuable.
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