Theater
This is a script with an exquisite sense of balance; Trans Scripts, Part I is thoughtful, informative, honest, and playful, all at once.
Company One’s production of this unconventional work is absorbing: this is the kind of exciting theater that we need to see more often.
It’s good fun and, for a while at least, it’s interesting to watch the actors fulfill the play’s impish demands.
Jennifer Haley’s play is compelling and timely because it forces us to face facts, actual and alternative.
Praxis Stage manages to get Arthur Miller’s message across, and it is a valuable one that must be repeated well beyond the inauguration.
A less skilled playwright might have gone for the obvious and focused on mercy-killing and the ravages of Alzheimer’s.
This is a thoroughly pedestrian production — wobbly, uninspired, and often downright tedious.
Askins’ script is an amusing mash-up of sex comedy and supernatural horror parody.
The Making of a Great Moment comes off as flawed entertainment
Arts Commentary: The Orchestra Gap — Europe vs. the US