Theater
Though Kenneth Lin wrote Warrior Class in 2012, it is easy to see its resonances with the 2016 election cycle.
Tiger Style! blows by like a whirlwind — wordy, frivolous, and ultimately unsatisfying.
Alice Birch’s play/polemic about radical feminism resists Company One’s earnest-to-the-max interpretation.
“Theater is my pathway to sanity,” Melinda Lopez explains.
Despite an appearance by Satan, this is not all that frightening a yarn for Halloween, but the MRT’s production is absorbing nonetheless.
It’s the wild mind of puppeteer Paul Zaloom that’s really on display here.
Sarah Ruhl attempts, but fails, to discover illuminating similarities between the powerful then and now.
In this innovative production, Hamlet comes off as Shakespeare’s most successful genre mash-up of tragedy and comedy.
The New Rep production is polished, surprising, and certainly hard-hitting.
Man in Snow encourages us to reflect on our own bit of mortality. We don’t probably take the time to do that enough.
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