Theater
Two fine new plays in New York meditate on dealing with mortality.
Grand Concourse does wondrous things: it encourages us ponder our own growth toward faith while emphasizing with the struggles of others.
The ART presents a staid production of Tennessee Williams’ talky chamber play about wanderers struggling to be released from their pain.
Marlowe’s skill in maintaining a high level of complexity put the history play on a sophisticated footing.
Stage Kiss is Sarah Ruhl’s whimsical contribution to the age-old artistic theme of art vs. life.
The MRT production marches clumsily along the fine line of being funny and knowing it is funny.
Can the smothered idealism of the teachers be rekindled? Will the school be saved if students and faculty join together?
Don’t Give Up the Ship is well worth the time of audience members seeking exciting, unconventional theater.
The Wooster Group deconstruction adds layers of artificiality to what may or may not have been a serious event.
Recent Comments