Theater
This production of “Pygmalion” is also a case study in how an accomplished director –- former Huntington Theatre Company director Nicholas Martin – weaves every part of his team into a seamless whole.
The Williamstown Theatre Festival production of G.B. Shaw’s 100-year-old classic, “Pygmalion” – which only plays nine more performances – delivers an evening of superb theater on all levels.
Arts Fuse critics select the best in music, theater, and film that’s coming up this week.
Efforts to ensure that arts education is a significant part of our schools is not the kind of glamorous activity that prys dollars out of the wallets of donors or drums up tourism.
Two current productions in the Berkshires — “Master Class” and “Hapgood” — feature excellent performances from powerful and accomplished actresses.
The Commonwealth Shakespeare Company’s production of “The Two Gentlemen of Verona” is spunky and engaging — but the play is spun in one direction, away from its weird edginess.
To my ears, the Boston Symphony Orchestra—supplemented by saxophones, guitar, and mandolin—sounded overblown and unbalanced, oddly tinny at times (perhaps because of the amplification), glorious at others.
Dramatist Theresia Walser is careful to point out that these women did not merely benefit from the abuses of authoritarian power, but perpetrated many of them as well.
It was an unexpected pleasure to stumble onto this one-hour, one-woman show, which explores a fascinating episode in Japanese-American history.
Participants of Ted Cutler’s Outside the Box Festival recognize there could have been more publicity about the event.
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