Theater
The Peterborough Players have put together a “Seagull” that floats elegantly on nineteenth-century Russian and twenty-first-century American wings, simultaneously bright and dark.
This production of “Pygmalion” is also a case study in how an accomplished director –- former Huntington Theatre Company director Nicholas Martin – weaves every part of his team into a seamless whole.
The Williamstown Theatre Festival production of G.B. Shaw’s 100-year-old classic, “Pygmalion” – which only plays nine more performances – delivers an evening of superb theater on all levels.
Arts Fuse critics select the best in music, theater, and film that’s coming up this week.
Efforts to ensure that arts education is a significant part of our schools is not the kind of glamorous activity that prys dollars out of the wallets of donors or drums up tourism.
Two current productions in the Berkshires — “Master Class” and “Hapgood” — feature excellent performances from powerful and accomplished actresses.
The Commonwealth Shakespeare Company’s production of “The Two Gentlemen of Verona” is spunky and engaging — but the play is spun in one direction, away from its weird edginess.
To my ears, the Boston Symphony Orchestra—supplemented by saxophones, guitar, and mandolin—sounded overblown and unbalanced, oddly tinny at times (perhaps because of the amplification), glorious at others.
Theater Review: A Few Thoughts on Williamstown Theatre Festival’s “Pygmalion”
Surely the lesson of “Pygmalion” is that Eliza should never look back. She doesn’t need to.
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