Review
The sitcom tropes encourage director Sam Raimi to unleash his utterly demented black humor sensibilities.
“Long Take” is a somewhat dry read; there are some great passages, but too many rambling, unfocused sections for it to be a satisfactory sequel to the Japanese director’s 1983 memoir.
House of Day, House of Night “is not an easy read, but for those with the stamina, it is a rewarding one, inviting us to savor its reclusive, succulent insides.”
Despite an occasional narrative misstep, “H is for Hawk” soars with enormous power and beauty when it revels in the mysterious, graceful ways of nature.
“Job” is not so much a game of cat-and-mouse as a highly pressurized coffee klatch.
In this collection, Vincent Czyz’s imagination covers extensive geographic and historical territory, creating maps whose borders are drawn with the vigor of a nuanced moral temperament.
How often do we see movies that successfully delve into what it means to become a mature adult after a traumatic childhood?
Fans of this ongoing horror narrative will find much to appreciate in its latest chapter.
Shame’s latest record and Monday’s holiday show at the Brighton Music Hall both prove the twin-guitar quintet has matured in sound and spirit while still flashing youthful spunk.
For all its rewards as a gross-out experience, “The Doctors’ Riot of 1788” has an ethical question at its core: does the search for medical knowledge outweigh our respect for human life and death?
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