Review
With this LP, Daniel Lopatin has crafted an immaculate aural landscape that one can (and will want to) lose oneself in for hours.
Read MoreBetween the heroin, booze, and all else that Mexico had to offer, there was little to no time for William S. Burroughs to appreciate the culture of his adopted home.
Read MoreIt’s heartening to see a major Catholic institution like Boston College get behind a documentary that, without mercy, attacks the Boston Diocese for its sinful coverup of priest abuse of children.
Read MoreIf Thursday’s performance of Mahler’s Second Symphony by the Boston Symphony Orchestra and the Tanglewood Festival Chorus was marked by some untidiness, the broad picture to emerge was one of often thrilling, Apollonian grandeur.
Read MoreDirector-writer Alexandre Moors, a Parisian living in New York City, builds a credible narrative story of the killer team in the months before their death spree.
Read More“Return to form” is a little too easy, but if you miss the “old” Travis, then the new album, Where You Stand, is the one you’ve been waiting for.
Read MoreGil Rose and the Boston Modern Orchestra Project (BMOP) have been on something of a recording tear of late.
Read MoreFar From Vietnam dared say what no American documentary, even the most radical, would insinuate for fear of being accused of treason: in Vietnam, the Americans were the new Germans.
Read MoreWith an eclectic visual style that includes animation, and narration spoken with conviction by D.C. native Henry Rollins, The Legend of Cool “Disco” Dan tries to accentuate the positive.
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