Review
At first, The Submission comes on as an agreeably edgy satire of the automatic embrace of identity politics and political correctness in the academy and popular culture.
Albatross is terrific — a powerful script, vital performance, and imaginative stage design.
How much longer can these seventy-somethings climb those stairs?
Two 20th century gems bracketed the evening, and all four works showed how the ballet idiom can serve and be served by classical music.
Mothers & Sons raises important questions about struggle, acceptance, and love, dramatizing battles that are still being waged.
Why did this version of Far from the Madding Crowd have to be so straight-laced and traditional, so bland and dull?
It’s not by accident that some of the greatest coming-of-age stories are concerned with deconstructing social stereotypes.
How can you act sanely when your country is brazenly committing genocide? Many of us didn’t.
With this one project, Boston has gone from a public art also-ran community to a serious cultural player.
The 18th Annual Jewish Film Festival approaches its end with two compelling cinematic looks at Jewish history.
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