Review
Celeste Oliva’s performance is so raw, we experience every doubt, every fear, and watch her confidence slowly evaporate under pressure.
Underground director Emile de Antonio saw films as “a way to make art out of political raw material.”
In some essential and large way, novelist Colm Tóibin gets Elizabeth Bishop right.
Minimalism doesn’t make narrative or emotional demands. It shows you a surface, and if there’s anything below the surface, you draw your own conclusions.
The Lyric Stage is presenting a moving production of Lynn Nottage’s cautionary tale about strength of character tragically misdirected.
Julia Fischer’s account of Brahms’s Violin Concerto with the Boston Symphony Orchestra (BSO) this weekend was nothing if not dynamic and impressive.
Harvard Divinity School professor Kevin Madigan’s scholarly but always compelling exposition of the evolution of the church will spark introspection among practicing Christians.
What I didn’t see opening night was passion. The characters, all living on the edge of respectability, are comfortable in their own world, but as individuals most of them don’t assert themselves.
Recent Comments