Review

Book Review: “In Certain Circles” and “The Last Lover” — The Powerful and The Disappointing

September 22, 2014
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Elizabeth Harrower’s In Certain Circles is a stunning novel about class and marriage and power; Can Xue’s The Last Lover is a tedious surrealistic farce.

Theater Review: A Flawed “Far From Heaven” at Speakeasy Stage Company

September 20, 2014
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In the musical Far From Heaven, the pleasure of Cathy’s first-act dream overwhelms the anguish of her second-act awakening.

Visual Art Review: “Color Crossing” — An Urban Art Intervention in Downtown Boston

September 20, 2014
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With Color Crossing, Kate Gilbert wanted to showcase “the collision between sights and sounds that make Downtown Crossing so vibrant.”

Jazz Review: British Saxophonist Evan Parker Brings his Brand of Innovation to Boston

September 19, 2014
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Free and fluid as it was, the set made memorable sense to the packed crowd at the Lily Pad.

Rock Album Review: Earth’s Masterpiece — “Primitive and Deadly” or How Doom Came to America

September 19, 2014
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Masters of Doom: the band Earth forges a classic in an aged, durable style of heavy metal.

Fuse Film Review: The Maine International Film Festival, Bar Harbor Edition

September 18, 2014
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Two new documentaries: one a love story about two athletes, the other an attempt to chronicle a small resistance movement among German students against the Nazis.

Film Review: “At the Devil’s Door” — Satan Never Naps

September 18, 2014
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The highest praise for the way the great cinematographer Bridger Nielson has lit the film’s haunted house..

Fuse Theater Review: Singers Shine in New Rep’s “Closer Than Ever”

September 17, 2014
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Leigh Barrett and her collaborators sing and act beautifully, and they are obviously having a great deal of fun performing Richard Maltby Jr. and David Shire’s heartfelt songs about the trials and transitions of middle age.

Film Review: Philippe Garrel’s “Jealousy” — The Poignant Return of the Nouvelle Vague

September 16, 2014
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Jealousy is a misleading title for this touching movie, as the characters are less jealous than forlorn when those they love move on to other loves.

Theater Review: Nora Theatre Company’s “Emilie” — Where History, Feminism, and Science Fiction Meet

September 16, 2014
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At its deepest level, Emilie invokes the quest we all undertake to make sense of who we are, where we have come from, and where we are going.

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