Review
A graphic novel about the death of art and the art of death
For the diehards who crowded the Sinclair, the Church aren’t about hit singles and nostalgia; they’re about double-guitar dreamscapes and psychedelic visions.
If James Madison was so verbose that his draft version of the First Amendment could be cut in half, then he can hardly be called an artist with words.
Written and directed by feature film newcomer Matais Lucchesi, Natural Sciences is a cautionary tale: be careful what you wish for.
The BSO’s captivating performances of King Roger received unanimous rave reviews from the local press, to which I add mine.
Like James Baldwin, Alain Mabanckou is striving to see beyond comforting or righteous notions and grasp a world full of movement, migration, diversity, and unexpected mixtures.
Director Cristián Jiménez treats the melodramatic proceedings with an ironic sense of humor that manages to keep the maudlin at bay.
Anyone interested in understanding Europe in the 20th century, or in the fascinating metropolis that is Berlin, or in a riveting depiction of down-and-out youth who refuse to surrender to the system–will want to pick up Blood Brothers.
Kudos to the Celebrity Series for bringing this interesting and innovative young musician to Boston and kudos to Cameron Carpenter for such a fascinating few hours.
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