Review
The pleasures of Joni Mitchell: In Her Own Words are the pleasures of being a fly on the wall.
No No: A Dockumentary presents a textured portrait, on and off the field, of ’70s pitching phenomenon Dock Ellis.
“Magic” reflects the Mendes touch—more than 50 years of expert piano, arranging, and production chops, and a genius for choosing the right collaborators.
Privy Portrait portrays a contemporary human being who has lost all handholds, all footholds, all practical, moral, and metaphysical support—except for that provided by the articles of his beloved encyclopedia.
Although the production of The Last Days of Cleopatra is at times a bit hard to follow, patient audience members will be rewarded by a profound dramatic payoff.
A Short Walk with Patsy Cline leaves you wanting more. It will send you — back or for the first time — to Cline’s own recordings.
It would be a great pity if the MWFF, with its luminous history, was put out to pasture.
The trippiness, the nudge regarding unused powers, regarding vision, regarding the potential of our minds, are the best parts of Lucy.
Steve Coogan and Rob Brydon comic routines are cerebral but brilliantly funny, mostly due to the dueling impersonations that are an inevitable part of every meal along their journeys.
Music Commentary: Brian Wilson’s Legacy Thrives — 2026 Reissues Reviewed