Review
The Coen brothers, Joel and Ethan, provide an on-target parody in Hail, Caesar!, their funny period comedy set in ’50s Hollywood.
The Finest Hours gives the audience two hours of fast moving, visually pleasing, easily digestible entertainment.
Clear some room on the mantle of cinematic disgrace for The Choice, an utterly drippy romance.
Milk Like Sugar cries out for dialogue and confrontations that direct us deeper into the conflicts the young women face.
The Lady in the Van is quite enjoyable, but has a significant flaw.
The Convert is a complex historical drama that shows us individuals crushed among powerful contradictions.
Company One’s actors are top notch and they expertly serve the production’s antiquated style of non-realistic acting.
Fighting God is logically argued, lucid, and makes a powerful case for a more secular nation.
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