Review
In the Shadow of Women is obviously meant to be a throwback/homage to the French New Wave cinema of the early to mid-1960s.
Lawren Harris is determined to present a static vision of the top of the continent, a version of nature that is stylized, austere, immobile, and eternal.
In this enjoyable novel, Martin Suter has chosen to sidestep depth in favor of colorful characters fine-honing their hopes and dreams..
Koubi’s piece overturned expectations in so many ways it could be called innovative, groundbreaking.
August Wilson’s dramatized autobiography, thanks to the magnificent actor Eugene Lee, is a stirring experience.
Embrace of the Serpent presents a world where nature and dreams provide the most satisfying answers.
When it comes to women’s reproductive rights it is looking an awful lot like The Handmaid’s Tale out there, folks.
I admire director Terrence Malick for continuing to jettison staid storytelling for the sake of exploring his dense moral vision.
The extremely prolific viol virtuoso Jordi Savall clearly has deep feelings about Celtic music.
Fast Company may be light entertainment, but director M. Bevin O’Gara has assembled her own remarkable crew for this breezy caper comedy.
Fest Review: IFFBoston Shorts — Part One