Review
In her fabulous, intensely involving book, author Katie Roiphe crawls into the deathbeds of five writers who wrote brilliantly and prolifically.
Until its closing scenes, Captain Fantastic takes a complex look at the wisdom of bucking the system or joining in.
Thomas Bidegain’s film “Les Cowboys “ is political, but it is never heavy-handed.
Given the realities of music in 2016, it’s good to see a glitter-era icon who’s still alive and kicking.
There is much to like in this outdoor production of Love’s Labor’s Lost — the time passes by quickly and there are plenty of smiles along the way.
The Emperor of the Moon is a boisterous bit of family friendly late-afternoon entertainment under Shakespeare & Company’s Rose Footprint Tent.
There has never been a better time in America to reconsider the importance of television’s role in the political discourse.
Shakespeare & Company’s staging of Merchant of Venice is the strongest this critic has ever seen or could hope to.
Arts Commentary: The Orchestra Gap — Europe vs. the US