Review
These pieces could have been written yesterday, which speaks volumes about the eternal recurrence of the moronic inferno of the political.
I was finally won over in the last act, when Everybody Wants Some! turns a little emotional, a little “girly.”
Perhaps in the future Michelle Hoover will let her very real talent take her into the unknown, where narrative and myth merge.
There was no question that Music Director David Hoose loves these four pieces. The chorus was meticulously prepared, and sounded wonderful.
Being a gay teen trapped on a rural farm among homophobes who suspect you’re a child molester is a terrifying situation.
An extraordinary book that should be in the hands of every lover of the French capital. And don’t we all love Paris?
Liberty’s First Crisis presents reminders that elected officials have always been capable of uncivilized behavior toward their colleagues.
The really unforgivable thing about City of Gold: the dull, flat way in which the food is shown.
Twenty Looks has put a lot under its belt since Trajal Harrell began his research. It’s bigger now, but I’m not sure it’s any more profound.
Saturday’s performance revealed the BSO to be at the top of its collective game, totally locked in, and fully responsive to Andris Nelsons’ leading.
Fest Review: IFFBoston Shorts — Part One