Review
So Lucky is a tough, accomplished novel, a book that readers didn’t know they needed.
Both galleries have successfully paired photographers who work in parallel idioms and who, through simple visual details, deliver a vivid sense of place tinged with memory and nostalgia.
Sometimes Pharoah Sanders came back and played like a primordial saxophone deity, cutting into the rhythm section like an act of penetration.
The players are striking out into the unknown: you may find the journey inspiring and you may sometimes find yourself lost in the woods.
If you want to understand what is going on in the United States today, journalist Sarah Kendzior is a good resource.
Schutt’s is an example of the kind of fiction that is being taken seriously in too many quarters in this new century, but that is not nearly good enough.
Despite its grand intentions, Atomos is essentially an abstract work that springs from Wayne McGregor’s obvious passion for full-throttle movement.
We built this form of democracy and now we must stand up to what it’s become and say “I don’t consent to this.”
Rarely in my experience has Ives’s visionary score sounded so fired with purpose.
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