Review
The Boston Ballet’s program was meant as a tribute to the 100th anniversary of Finnish independence.
De Stefano tracks the evolution of a cabinet-maker’s daughter into a famously bombastic, chain-smoking political reporter and author.
Matthew Woods and his actors do not draw on a faux-naturalist performance style, which is so (unfortunately) fashionable in mainstream theater.
The bottom line is that we simply aren’t given a requisite sense of the play’s embrace of tragedy.
Set in Boston’s rock scene during the ’80s, the mystery World Enough serves up plenty of compelling entertainment.
We are invited to see the world through the eyes of an adolescent whose autism makes human communication and contact incredibly difficult.
Coming of age in today’s world is a tumultuous and confusing experience; Ken Urban’s script expertly taps into these modern anxieties.
A festival of Gumboot and Pantsula at Rhode Island College featured a large cast of virtuosic dancers and engaging musicians.
Comparisons and guesses about influence aside, poet Richard Hoffman’s voice is individual, original, and strong.
The short volume promises a glimpse into Patti Smith’s intuitive creative process — but disappoints.
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