Review
“It’s not something to be tolerated,” saxophonist Kamasi Washington said. “It’s something to be celebrated.”
Quentin Tarantino delights in exhausting his audiences as much as he does in entertaining them.
A genre debut as self-assured as Luz is always exciting.
We Are All Good People Here is an enormously insightful examination of how dangerous suggestible people can be, to those around them and to themselves.
This fine novel is portrait of Baltimore as a city at war with itself.
Luke Spiller of the Struts: probably rock’s most commanding frontman since Freddie Mercury, Mick Jagger, and Steven Tyler in their prime.
This review, like the opening night of She Loves Me, is dedicated to the life and work of the late producer Harold Prince.
The CSC production maintains a sense of romantic adventure throughout, which makes it easier to accept some of the staging’s creative excesses — as well as the loop de loops of the Bard’s plotting.
When the 80-year-old Judy Collins, who sang at Newport in the 1960s, declares the current weekend to be “historic,” you had to believe her.
The MFA’s Arts of Islamic Cultures gallery offers an impressive visual representation of a region’s cultures, geographies, and histories.
Cultural Commentary: Death by Incorporation — Why Do Bean-Counters Run Arts Boards?