Review
Each concert offered all that the Tedeschi Trucks Band can do.
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The spirit of Oliver! explodes on stage here, and that is a credit to the ambitions of this company.
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A.C. Grayling’s history is an excellent tour for the curious and a refresher for everyone who had Philosophy 101 and wants to remember why it was so moving at the time.
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Though the story’s events are set in the present, the Gen X music feels right, coming as it does from an era when fear, decadence, and moral hypocrisy also dominated our culture.
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Tarare is simply one of the most important operas of the Classic era, precisely because it challenges so many aspects of Classic-era “normality.” You won’t believe your ears.
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I do not know how BEMF will ever top this. Bravo tutti!
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If you are a fan of Mike Nichols’ large and elegant body of work, you’ll regret as I did that the authors did not take the time to create the kind of book he deserved.
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Even taking into consideration my several objections, this Faust is one of the most accomplished and intriguing opera releases of recent years.
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There are few films these days that feel like such a familiar and sorely-needed balm for stressful times.
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Colorful, characterful, and full of worldly wisdom, The Last Sorcerer—by a skilled and imaginative composer, to a text by the great Russian novelist— receives a superb world-premiere recording, with Met mezzo Jamie Barton and bass-baritone Eric Owens.
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