Review
Seth Rogen puts in double duty as an early 20th century Jewish immigrant and his modern great grandson in a comedy that starts off sweet but leaves a bitter aftertaste.
This is a conductor and ensemble that have the measure of Max Bruch’s style and voice well in hand.
The Oxford band’s third album dispenses with personality in favor of bland trap pop.
This is not a music documentary, it’s a kind of jaunty-artsy immersion in and around the Newport Jazz festival, including scenes of the host city Newport, the America’s Cup race, festival goers, kids in playgrounds, etc.
This is a film for another moment in time, an imaginary if not necessarily utopian moment when being Jewish is less roiled and bedeviled from within and without.
Evaluations of a smorgasbord of Beethoven symphony recordings.
A supple, evocative novel that meditates on family and loss and art.
“I don’t like writers. . . . Writers are very despicable people. Plumbers are better. Used car salesmen. They’re all more human than writers.”
Hollywood Babylon II is almost as addictive, seductive, compulsively page-turning as its inglorious Hollywood Babylon predecessor..
La Llorona’s deepest horrors flow from real history, from the atrocities inflicted by powerful men and the institutions established to ensure they get away with it.
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