Review
There’s little doubt at this point regarding the 26-year-old guitarist’s talent for pulling multiple influences into one cohesive, original sound.
The Shores of Bohemia is clearly a labor of love, and a worthy one. But John Taylor Williams’ idea of “a group portrait,” however attractive, proves impossible to pull off.
The Rose Kennedy Greenway’s Dewey Square mural program is one of the best in the world.
Action and kids film director George Miller goes the adult fantasy route.
Three recent documentaries explore the worlds of three masters of disparate but complementary art forms: photography and cinema, sculpture and painting, and toilets.
Flux Gourmet occasionally reminded me of the films of Peter Greenaway, who often juxtaposed the grotesque or disturbing with the beautiful and ethereal.
Poet John Koethe moralizes in an abstract “universal” space — some might call it versifying in a vacuum.
An opera from Fascist Italy, Gino Marinuzzi’s Palla de’ Mozzi receives a splendid world-premiere recording. Should you listen despite its pedigree?
“Farewell” is the shortest album in the series, but it is perhaps the most provocative in the way it calmly muses, philosophically, on the form that togetherness can take – as it exists and as it dissolves.
This is one of those 75-minute plays where you have to remind yourself to breathe.
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