Review
A one-hour opera that the world forgot — a world-premiere recording of Saint-Saëns’s Phryné.
Inevitably, by recasting Petra von Kant as a version of Rainer Werner Fassbinder himself, François Ozon has rendered the film self-consciously cinematic.
In World Wide Pop, the London pop collective looks for peace in the digital cosmos, despite intimations of coming oblivion.
Faleeha Hassan’s assessment of the damage America caused — through the ‘good intentions’ of regime change — may surprise many who depended on the mainstream media to learn about what happened in Iraq.
Neither book is primarily directly about the war itself. Rather, in sometimes oblique ways, they show the price paid by Ukraine’s non-combatant civilians.
This version of Beach Road Weekend marked a huge step to the event joining Newport Folk and Solid Sound among New England’s marquee mid-size festivals.
This dark and jazzy noir drama would be compelling if it just focused on dramatizing a jazz artist’s quest for artistic perfection.
Norman Rockwell was troubled about race relations in American society, and he let his public know that..
For all of the music’s fury, protest, anguish, and raw brutality, Tattoo the Earth was a lovefest.
The sound of both musicians is indelible: trumpeter Enrico Rava is warm and rounded; pianist Fred Hersch, often icy, is fetching and detailed.
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