Review
A valuable reminder that the provinces have their advantages, as the Shelburne Museum devotes lavish attention to a Vermont master.
If you don’t know those 1969 originals, get them and listen to them. And if you know the recordings well, listen to them again. No matter how familiar this 50-year-old music is to you, you’ll be struck by its timelessness.
Steve Stern’s novel about the Jewish expressionist painter Chaim Soutine is more informative than it is engaging.
The shadow of Weather Report looms over this groove session of consonant harmonies, the only documentation of a short-lived band that should have had the chance to burn more brightly.
The Most Hated Man on the Internet tells a legitimate story in which the good guys win, but there is no attempt to answer to any of the larger, uncomfortable, social questions the series raises.
Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
Kirsty Bell’s psychological-cultural-topographical-historical walking tour of Berlin is an idiosyncratic delight.
Abbas Kiarostami was the most important filmmaker to come out of the New Iranian Cinema movement, which spawned works that became staples in film festivals worldwide from the late ’80s on.
A one-hour opera that the world forgot — a world-premiere recording of Saint-Saëns’s Phryné.
Inevitably, by recasting Petra von Kant as a version of Rainer Werner Fassbinder himself, François Ozon has rendered the film self-consciously cinematic.
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