Review
Director Alice Diop wisely avoids offering a neat solution to Saint Omer‘s exploration of a mother who murders her child.
Dave Malloy’s musical takes us through the personal creative hell of Russian composer Sergei Rachmaninoff.
This staunchly eclectic collection is also fiercely focused, unified by the fact that regardless of the subject, the poet never blinks, never looks away, never hesitates to name the pain.
For viewers weary of horror that embraces the minimalist and dystopian, The Pale Blue Eye — chock-full of emotion, mystery, and romance from a bygone era — is a welcome sight indeed.
Maintaining liberty in the face of totalitarian fantasy calls for vigilance. Ernst Jünger’s cautionary tale may be more resonant now than when it was first published.
Sam Lipsyte’s latest novel does a bang-up job of capturing the edgy and zany milieu of the early ’90s.
A commentator on Macroblank’s Bandcamp page makes this telling assertion: “AI is Macroblank. Macroblank is AI.”
Two books for children that address the climate crisis.
Some readers may be surprised to learn that a high percentage of the men and women who spend time in solitary confinement have been diagnosed with severe mental illness.
Jazz Commentary: Billy Cobham, Then and Now — An Awesome Jazz Drummer
Billy Cobham plays right on top of the beat, and his grooves are impeccable. Maybe he’s not the first drummer you’d call for a loose New Orleans shuffle, but if you could hire the Terminator to be your percussionist, Cobham is your man.
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