Review
Homage to a Modernist architectural gem located in the woods of Lincoln, MA
A gathering of documentaries (not to mention features and shorts) whose exploration of the perseverance of longing and identity in the wake of a historical tragedy demand to be seen.
For once, shame worked. Museums that normally court the robber barons of our era capitulated and took the Sackler name-plates down.
Europa Galante is small enough to make touring financially viable, yet large enough to successfully undertake “larger” works in a variety of venues.
Ruben Östlund is a richly talented filmmaker who puts the world of outrageous privilege in his cross hairs.
Unlike the slow, spacy stonerism of the 1973-77 era, early Pink Floyd is a much more rocking experience, and those foundational tunes of English psychedelia take on the excitement of punk to modern ears when heard live.
At House of Blues, Fontaines D.C.’s brooding, bristling music was offset by shifting swatches of amber and purple lighting amid the shadows, casting the musicians in mysterious terms.
Religion is false, unscientific, and morally dubious, and any discussion that doesn’t take that as its starting point will end up going astray.
Tar is about a major artist with an outsize ego who ignores at her peril the seismic shifts in the culture.
An author with a deep affinity for and knowledge of movies and how they’re honored tells us all about Oscar.
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