Popular Music
The band’s performance at the Sinclair proved that the Chameleons are back in vintage form.
“This book let me find out for myself why I’ve been obsessed with Dylan since my teens, and I presented what I learned in a way that I hoped others would at least see that I’m not crazy.”
In support of the release of his album “Orgy of the Damned,” Slash is not just touring; he’s putting on a distinctive concert experience with a positive message.
“I’m going to be 80 in October, and what a way to spend your 80th year on the planet, to be able to go out and do rock ‘n’ roll shows everywhere!”
Four players bridged divergent worlds and styles from bluegrass and jazz to Indian and Western classical music while taking virtually no time to lock in together.
Boston Calling has evolved into a smorgasbord of everything from indie to mainstream, from pop to hip-hop to hard rock.
Now that the pandemic dust has settled, Dalia Davis’s album warrants excavating and shining a long-awaited spotlight on.
Josie Lowder debut solo album “Here To Love” is more than a reminder of how good she was — it stands as incontrovertible evidence that she has grown as an artist and especially as a songwriter.
Penning some of the most beautiful and harmonious tunes for the Wailin’ Jennys over the group’s two decades, Ruth Moody always envisioned a solo career to complement her Jennys output.
A powerful performer and artist emerges in this ambitious album about being publicly ostracized and maligned — and coming back stronger.
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