Popular Music
A relatively short-but-sweet night that struck just enough highs and no real lows – as long as one accepts that Van Morrison gives more heed to covers than his own hits.
This version of Beach Road Weekend marked a huge step to the event joining Newport Folk and Solid Sound among New England’s marquee mid-size festivals.
Our cup runneth over with tears — at this point, breakup albums may have overstayed their welcome.
Northlands lacks the infrastructure, diversity, and history of some of New England’s finest music fests, but its two-day debut provided a rustic oasis for jambands.
Life on Earth aches with the sadness of the human condition, touching on personal trauma and reaching into the malaise of a week of national bad news.
The brilliant set was a celebratory exploration of Molly Tuttle’s bluegrass roots, albeit with a fresh perspective.
Solid Sound is like a family picnic for stylistically open-minded musicians and fans alike within the brick-mill infrastructure of MASS MoCA.
Legendary percussionist Bill Bruford’s recorded output reveals him to be a restless innovator who went from one band to another so he could learn more about his instrument and about himself as a musician.
Crescent gives us the first five songs of the I Am The Moon suite and runs about 35 minutes. Let me rephrase that: it runs about 35 perfect minutes of music.
We’d returned to the New Orleans Jazz & Heritage Festival. We’d ridden a paddle-wheeler on the Mississippi River. It was good to be back, and why we’ll go back every chance we get: to life.
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