Music
Don’t let the redundancy of much of this album’s repertoire dissuade you. On all the vital metrics, Liebestod delivers
Projects such as Birthright: A Black Roots Music Compendium extricate the resilient voice of the people from the cacophony of current ideological intervention.
Missy Mazzoli’s scoring is generally airy and virtuosic, yet Dark with Excessive Bright doesn’t seem to add up to more than the sum of its parts.
Elvis Costello loves to visit various regions of the past but wouldn’t dare move to any of them permanently.
While balancing the scales of justice can be difficult work, the effort is an important act of generosity, even love.
Dave Brubeck and the Performance of Whiteness has scholarly value but, given its diminution of human agency, it will not significantly impact real life public conversations about ending white privilege and dealing with the complexities of cultural appropriation.
Quatuor Diotima evince a thorough command of György Ligeti’s style, as well as a breathtaking grasp of the demands he makes on the instruments.
Quatuor Diotima evince a thorough command of György Ligeti’s style, as well as a breathtaking grasp of the demands he makes on the instruments.
More popular than The Beggar’s Opera, J. F. Lampe’s goofy opera of 1737 receives its first complete recording, and the performance is splendidly, subtly humorous.
More proof that, with pianist Igor Levit, Beethoven had found new interpreter, not only worthy, but important.
Fest Review: IFFBoston Shorts — Part One