Music
Samantha Fish is coming to the Cabot Theater on June 16. Her latest disc, produced by Jon Spencer, currently sits atop “Billboard”’s Blues Albums chart.
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Fans of Postmodern Jukebox and the swing revival will enjoy this album, as will any jazz fan who appreciates taut small-group arrangements and terse, focused solos.
Read MoreOpera Album Review: A Fittingly Fresh First Recording of a Flexible One-Acter by Donizetti’s Teacher
Johann Simon Mayr’s delicious L’Accademia di musica gets a spiffy performance from the “Rossini in Wildbad” Festival.
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Such Ferocious Beauty ranks among the best of the Cowboy Junkies’ work — you can feel the band challenging itself, thriving in the tumult it generates.
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A rare Black female instrumentalist band leader, whose improvisations on the harp were the equal of any horn, Dorothy Ashby deserves a respected place in jazz historiography.
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Like Thin Lizzy, Minx marries metallic thunder with melodic structures and lyrics worth listening to.
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Boston Calling reached some highs this year, sealed by perfect weather.
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So why am I going to write about the Nuggets concert for a New England outlet? Because, totally surprising to me, there was a lot of Boston in the show.
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This is an album of top-notch orchestral playing. Yet the real star is Karina Canellakis.
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Until this album, I had no idea that the Grateful Dead and salsa could blend together with such force and fun.
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