Music
“Vinyl is special because it makes the music less disposable, it makes listening a little less convenient. There is something tactile for people to hold and look at, an object to cherish.”
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The Latvian conductor can sometimes overindulge in pieces that demand shifts in emotional direction on a dime, so the frenzied eclecticism of Mahler’s Fourth feels tailor-made for him.
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At a time when the world’s aflame, David Byrne ignited creative camaraderie, a dazzling experience that lingers in mind and spirit.
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“Howl” was one of the hardest things Black Rebel Motorcycle Club has ever made. We knew weren’t going to make another album like it unless the spirit really demanded the songs — it raised the bar rather high.
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The Junction Trio offered the coolest show in town — an afternoon of experimental music that highlighted their virtuosity as individual players and as a unit.
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Arvo Pärt’s ubiquity in concert halls and on disc for much of the last fifty years suggests that he’s got plenty to say to our cultural and historic moment.
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The cross generational Do the Reggae Tour suggested that reggae’s creative trek was far from over.
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Across his career, British conductor Martyn Brabbins has used his bully pulpit to bring to light all sorts of deserving, unfamiliar repertoire, including the music of compatriot Havergal Brian.
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Happily, the admirable Horizon Ensemble is championing Germaine Tailleferre’s mesmerizing piano concerto.
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Gigs by superb bands led by Mary Halvorson and Mehmet Ali Sanlıkol at the Regattabar.
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Arts Commentary: From the Editor’s Desk — By Popular Demand, 2026