Music
Composer/guitarist Richard Nelson’s followers can count on being surprised at how nimbly he can satisfy their appetites.
Guitarist Aaron Larget-Caplan managed to keep the micro-opera’s crazed figure sympathetic as he blurred the lines between reality and delusion.
Marc-Antoine Charpentier’s 1686 “David and Jonathan” brings ancient characters to life in this 2022 Chateau de Versailles production, brilliantly staged, danced, sung, and played.
I may not agree with some of the documentary’s spin, but the film gives the viewer a clear and entertaining picture of Eddie Durham’s long and important musical career.
This is a story about jazz that we only think we know: the book challenges our preconceptions with admirable restraint, and generously invites others to build on its work.
Hélène Grimaud’s performances of Brahms, Busoni, and Beethoven drew on the strengths of her boldly imaginative powers, which have only deepened over the past two decades.
Carl Nielsen’s vivid biblical opera “Saul & David,” here paired with Helge Bonnén’s remarkable concert adaptation of poems from “Spoon River Anthology.”
Jazz Album Review: The Complete Massey Hall Recordings — The Legendary Concert Never Sounded So Good
I heartily recommend this Craft Recording, even if (perhaps especially if) you have owned the LP version from (almost) a half century ago.
O Positive and Three Colors will reunite at the Paradise Rock Club this Friday for “With a Little Help from My Friends: a Benefit Concert for a Friend in Need.”
The godfather of Boston punk drew a who’s who of local rock history to a new music club on Cape Ann.
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