Music

Opera Album Review: World-Premiere Recording of a 1760s Opera about . . . Norway

October 24, 2025
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First-rate performances, including by a Norwegian orchestra and conductor plus superb international singers, make this one a winner.

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Album Review: Peggy Lee’s “Mirrors” — Fifty Years of Cabaret Noir

October 23, 2025
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The musicians assembled here for the updated recordings of tunes from fifty years ago are first-rate, and Peggy Lee still convincingly inhabits a wide range of material.

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Opera Review: Sound, Charcoal, and Memory: The Many Layers of William Kentridge’s “Sibyl”

October 22, 2025
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Scribble, smudge, repeat: the passage of time and the emergence and dissipation of information conveys the difficult work of experiencing coherence and retaining memory.

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Book Review: “I Knew a Man Who Knew Brahms” — Nancy Shear’s Harmonious Life in Music

October 21, 2025
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How our memoirist and the man who shook Mickey Mouse’s hand crossed paths is characteristic of the author’s good fortune and perseverance.

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Musician Interview: Ryan Lee Crosby on Playing the Blues at The Blue Front

October 19, 2025
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By Matt Hanson There’s an enticingly primeval quality to the way bluesmen Ryan Lee Crosby and Jimmy “Duck” Holmes play off of one another. Willie Dixon once said that “the blues are the roots, the other musics are the fruits.” We all know by now how plenty of world-famous bands have harvested those influences. So…

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Classical Music Album: Kevin Puts’ Orchestral Works — Plenty to Admire, Even Love

October 19, 2025
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This is a terrific compendium of new music of the best sort: the kind that’s brilliantly written, expressively direct, played with assurance, and engineered with clarity and warmth.

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Concert Review: My Morning Jacket Rewards Devoted Fans with an Expansive Set at MGM Fenway

October 15, 2025
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Seasoned fans were most likely to appreciate My Morning Jacket’s generous — if imperfect — sprawl.

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Concert Review: With Perfect Timing, Steve Hackett Bites into Genesis’s “Lamb”

October 14, 2025
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One of the best things about the 40-minute selection from “The Lamb Lies Down on Broadway” that stood at the center of guitarist Steve Hackett’s near-three-hour show was its focus on the music without visual bolstering.

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Concert Review: Jonathan Cohen and Handel and Haydn Society Explore the Operatic Dimensions of Handel’s “Saul”

October 12, 2025
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“Saul “may be an oratorio, but it’s about as operatic as one can get.

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Musician Interview: The Cult’s Billy Duffy Talks About Exploring Musical Impossibilities

October 8, 2025
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“Vinyl is special because it makes the music less disposable, it makes listening a little less convenient. There is something tactile for people to hold and look at, an object to cherish.”

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