Music
Bob Weir protected the integrity and idealism of the Grateful Dead’s music, playing the band’s songs year after year with a sense of wonder that he never lost touch with.
The performances made one thing clear: what had in Mozart’s day been a failed musical venture now makes for show-stopping pageantry.
The Disco Biscuits chose Boston as its base for a three-night New Year’s run that unfolded in three different venues.
2025 turned out to be a feast year for devotees of soprano saxophonist Jane Ira Bloom. The music found on both of these releases could be thought of as exemplifying three areas Bloom has explored in depth and refined to purity.
Our popular music critics pick some of the standout albums and live performances of 2025.
The magazine’s jazz critics look back over the past year and highlight their favorite albums.
Welcome back! The second half-life of the Either/Orchestra.
This past weekend, Goose wished fans a festive holiday season with a Victorian-inspired carnival extravaganza.
For heavy music fans, the Saddest Day was a very good day.
Book Review: “Unfinished” Argues for AI as an Artistic Partner — But at What Cost?
“Unfinished” supplies a thoughtful analysis of the relationship between music, musicians, and AI.
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