Music
New York and Paris both respected innovation, but Paris demanded that the new have a certain style.
Read MorePianist Simone Dinnerstein’s new album, Broadway-Lafayette, features her on three pieces, all written since 1924, that celebrate musical ties between France and the United States.
Read More“The kids in Boston accepted us unconditionally, and we hung out with everyone out there—Barrence Whitfield, the Bristols, the Del Fuegos.”
Read MoreAfter hearing pianist Daniil Trifonov in this recital performance, I would say no one on the celebrity circuit has a more impressive technique.
Read MoreThe opportunity to hear Leoš Janáček’s magnificent score live ultimately trumps any reservations I have about the production as a whole.
Read MoreFor the diehards who crowded the Sinclair, the Church aren’t about hit singles and nostalgia; they’re about double-guitar dreamscapes and psychedelic visions.
Read MoreThe BSO’s captivating performances of King Roger received unanimous rave reviews from the local press, to which I add mine.
Read MoreThere are still some places where the genius of George Gershwin is underappreciated, and regrettably, they include most of the concert halls in his home country.
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Music Commentary Series: Jazz and the Piano Concerto — Mavericks, 1923-1955
This first group of mavericks all have their roots in the 1920s, but they demonstrate that George Gershwin’s way wasn’t the only way.
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