Music

Classical Music Interview: Amelia LeClair of Cappella Clausura — Conductor and Detective

April 3, 2013
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“Once people hear this music they do indeed come back for it – it is pleasing on so many levels: it soars, it soothes, it excites, it transports.”

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Coming Attractions in Local Rock: April 2013

April 2, 2013
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It is April in New England and for local music that means one thing, it’s time to RUMBLE!.

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Classical Music Review: The Boston Camerata Tackles the Snarly Complexity of the “Messe de Notre Dame”

April 1, 2013
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The Boston Camerata proffers a constant sense of discovery and rediscovery, of unusually lively musicianship and scholarship, and a sprightly sense of the humanity – and the snarly complexity – behind the music it performs.

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Fuse News: Wednesday Concert Series at Boston’s Church of St. John the Evangelist Ends

March 31, 2013
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All is not well with the classical music scene in Boston. Boston’s Church of St. John the Evangelist has pulled funding from its Wednesday Concert Series.

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Coming Attractions in Roots and World Music: April 2013

March 30, 2013
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The Slide Brothers fuse steel with gospel, Etana brings the roots back to reggae, Duke Levine steps out on his own, and much, much more this month.

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Classical Music Sampler: April 2013

March 28, 2013
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A busy month that includes a pair of appearances by composer/conductor Oliver Knussen, turns by stellar pianists Evgeny Kissin and Lars Vogt. Also, the final concert this season in the admirable Music for Food Series.

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Fuse Music Review: Mount Moriah — Hard to Classify But Superb at Café 939

March 27, 2013
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Is it country? Is it rock? When it’s good, is there really a difference?

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Concert Review: Boston Musica Viva’s Satisfying “Role-Play”

March 26, 2013
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Boston Musica Viva presented an invigorating (if early) conclusion to the season, providing an ear-catching snapshot of chamber music written in the last thirty-plus years.

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Fuse Concert Review: Michelle DeYoung and the Boston Symphony Orchestra/Daniele Gatti

March 25, 2013
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Daniele Gatti’s management of the orchestra – the unfolding of melodic lines and instrumental textures – was particularly noteworthy, matched here with a keen sensitivity to the music’s expressive detail: this was a riveting performance.

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Jazz Concert Review: The Charles Lloyd New Quartet — Of Sound and Silence

March 22, 2013
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It turns out that it was more than just a rumor that saxophonist Charles Lloyd spent some of the ’70s playing with The Beach Boys.

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