Music

Classical CD Review: John Corigliano’s “The Ghosts of Versailles” (Pentatone)

May 17, 2016
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Ghosts seems to be trying to be all things to all listeners — edgy, nostalgic, farcical, adventuresome.

Rock Commentary: Made For These Times — “Pet Sounds” Turns 50

May 10, 2016
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What is there to say about an album that Rolling Stone ranked #2 in its 2003 list of “The 500 Greatest Albums of All Time”?

Fuse Concert Review: Radius Ensemble’s Season Finale

May 9, 2016
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The Rasas are but the latest in a series of remarkable scores John Harbison has been turning out over his eighth decade.

Music Review: Singer/Songwriter John Hiatt — Making a Cranky Sort of Peace

May 7, 2016
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John Hiatt’s voice has taken on some Tom Waits-like cragginess in recent years.

Music Interview: The Nitty Gritty Dirt Band Turns 50

May 6, 2016
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Amazingly, the group’s 50th anniversary tour features three of the original members: lead singer/guitarist Jeff Hanna, string player John McEuen, and drummer Jimmie Fadden.

Music Review/Commentary: Anat Cohen’s Tentet & SFJAZZ Collective — Strength in Numbers

May 5, 2016
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Jazz groups of eight to eleven often make fascinating and unusual music, but they rarely survive.

Music Review: New Orleans, Tradition, and Mingling the Trashy and the Transcendent

May 5, 2016
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But dissonance is at the edge of everything you hear at the New Orleans Jazz & Heritage Festival — a sound that contains multitudes.

Music Interview: Soul Singer Freda Payne Goes Back to her Jazz Roots

May 4, 2016
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While Freda Payne still sings “Band of Gold” on soul package revues, she has recently rekindled the jazz side of her career.

Concert Review: Mezzo-Soprano Susan Graham — An Explosion of Love Songs

May 3, 2016
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A vital part of  Susan Graham’s appeal is her winning personality; she makes a recital hall audience happy to be here before she sings a note.

Book Review and Appreciation: Murray Talks Music, and So Much More — the Legacy and Lessons of Albert Murray

May 2, 2016
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Murray Talks Music shows how brilliant Albert Murray could be even when he didn’t have time to polish his prose.

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