Music
In nearly 78 minutes of intensely concentrated playing, Jane Ira Bloom’s album offers some of the greatest ballad performances I have ever heard.
Read MoreBruce Springsteen’s “High Hopes” is a collection of covers, reinventions, and new recordings of odds and ends that have been kicking around for the past decade-plus.
Read MoreThe music was loud, the dancers laughing and sweating and clearly happy to be liberated from their cabin-fever inducing confines to let loose and have some fun.
Read MoreThere’s much in “La Pasión” to like. Composer Osvaldo Golijov’s use of Latin and South American musical forms has been well documented: the piece offers a striking compendium of idioms covering a huge geographical range.
Read MoreThis week’s show found both acts — Leon Russell and Hot Tuna — kicking—with huskier voices and slower tempos, to be sure.
Read MoreThe greatest album of the year isn’t even an album per se. There is a lot of hoopla surrounding the leak of what might be the debut album of elusive British lo-fi R&B artist Jai Paul.
Read MoreAmongst the acoustic live sessions, listeners should be delighted with the Chick Corea-Herbie Hancock duets.
Read MoreFuse Music Critic Noah Schaffer’s favorite live music moments from the past year.
Read MoreMelissa Ferrick joined the songwriting faculty at Berklee, where she dropped out as a student two decades ago. The Berklee influence may account for the increased craft in her songs,.
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Jazz Review / Commentary: Brian Carpenter’s Ghost Train Orchestra and Some Notes on “Irony”
Brian Carpenter and the Ghost Train Orchestra are not about re-creating either hot jazz from the ’20s or novelty works from the ’30s and ’40s. They’re interested in capturing the spirit that they perceive to be inside these almost-forgotten pieces and using that spirit to make original new music.
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